Because this is how we exit the play at divadlox10.
BRAVO THE MOSCOVIAD! …
https://www.divadlox10.cz/en/repertoire/the-moscoviad
Creative grounds for the team working to produce SCORCHED by Wajdi Mouawad, directed by Soheil Parsa, at the MIWSFPA of Brock University in the autumn of 2024. Designed by David Vivian.
Because this is how we exit the play at divadlox10.
Se souvenir des cendres - Regards sur Incendies from micro_scope on Vimeo.
–
"On the occasion of the 10 e anniversary of the film Incendies , by Denis Villeneuve, inspired by the famous play by Wajdi Mouawad, the documentary Remembering the Ashes – Regards on Incendies , directed by Anaïs Barbeau-Lavalette, is available for free on the Vimeo platform. Produced by micro_scope (Élaine Hébert) in collaboration with Radio-Canada, the documentary was presented on the public broadcaster in 2010 when the film was released. In an intimate approach, Anaïs Barbeau-Lavalette, who also handles the camera and sound recording, was able to shed light behind the scenes of the filming in Jordan, while the fiction echoes the poignant reality of the artists and craftsmen of the region.
To watch the documentary, click here .
In the heart of the Middle East, Iraqis, Palestinians and Lebanese took part in the filming of Incendies . Extras or simple witnesses, refugees in exile, they experienced up close scenes similar to those staged by Denis Villeneuve. Remembering the Ashes – Regards sur Incendies is interested in their view of the war and the infernal circle of violence, here recreated before them, with them.
Remember that Incendies , released in Quebec on September 17, 2010, is directed and written by Denis Villeneuve, based on the play by Wajdi Mouawad and produced by micro_scope (Luc Déry, Kim McCraw), in co-production with TS Productions and in association with Phi Group. Starring Mélissa Désormeaux-Poulin, Maxim Gaudette, Rémy Girard and Lubna Azabal, the film was a huge success in Quebec and internationally. In addition to being nominated for the Oscars, Césars and BAFTAs in the Best Foreign Language Film category , it won nine Jutra Awards and eight Genie Awards, as well as the Best Film awards at the Venice Film Festival ( Venice Days section ) and Best Canadian Film at TIFF."
***
White Phosphorous #2, by Rafat Asad, a Palestinian artist based in Ramallah.
"The last six months of genocide in Gaza have ushered in a new phase in a long history of colonization and extraction that reaches back to the nineteenth century. To truly understand the present crisis, Andreas Malm argues, requires a longue durée analysis of Palestine's subjugation to fossil empire."
Andreas Malm 8 April 2024 in VERSO
unrelated except for how I can honour these texts through the creative work of our production:
see:
Chapter 2: Poetics of Resistance: Soha Béchara, her Memoirs, and her Legacy in Mouawad's and Villeneuve's Incendies, incl.
Soha Béchara's Legacy: Incendies the play and the film
From Soha Béchara to Nawal Marwan: from history to historical drama
wikipedia for context and history about this volume first published as a book in 1922
posted Jan 16, 2022
On this day 25 years ago, the Lebanese communist resistance fighter Soha
Bechara was released from captivity at the El-Khiam torture and
interrogation center where she had been detained for ten years, six
years of those years were spent in isolation detention.
She was
jailed for an attempt to assassinate Antoine Lahad in 1988, the head of
the South Lebanon Army – an Israeli-backed proxy militia that terrorized
South Lebanon during the Israeli occupation. Bechara is a Lebanese icon
and posters featuring her were seen all around downtown Beirut in the
early 1990s.
Bechara joined the Lebanese Communist Party in 1982
when she was 15 – the year that Israel invaded Lebanon – and was
involved in various resistance activities. Bechara shot Lahad twice with
a 5.45 mm revolver, once in the chest and once in the shoulder.
Bechara
was released from El-Khiam in 1998, following international pressure.
Two years after her release, the Israeli occupation of Lebanon ended and
El-Khiam was turned into a museum.
posted Sep 3, 2023 on YouTube and Sep 3, 2024 on Odysee.com
In 1988, at the age of 20, Lebanese Soha Béchara attempted to assassinate the leader of Israel's auxiliary militia in occupied southern Lebanon. His act cost him 10 years in one of the worst prisons in the world. Based in Geneva since her release, Soha Béchara returns to Lebanon accompanied by a team from Temps Present. Has the war radicalized young people? Will many of them, like her, risk a suicide operation? Icon of the resistance, the young woman opens the doors to circles close to Hezbollahz.
In Lebanon, Soha Béchara is considered the very
embodiment of resistance. At the age of 20, this Christian, member of
the Lebanese Communist Party, infiltrated the South Lebanon Army (ALS)
and twice shot its leader, Antoine Lahad. The latter survived, while
Soha Béchara spent ten years in the infamous Khiam prison, where she
suffered isolation and torture. She was released in 1998, two years
before the withdrawal of Israeli troops, and settled in Geneva.
Although
she does not share the theses of Hezbollah, due to her stay in Khiam,
Soha Béchara is entitled to the respect of its leaders and to access to
areas controlled by the “party of God”. With the cameras of Temps
Present, Soha takes us to South Lebanon, where despite the reinforced
presence of UN peacekeepers and the Lebanese army, Hezbollah continues
to lay down the law. In the Shiite villages destroyed by the bombings,
Soha meets women who were imprisoned with her and whose sons are already
ready to take up arms. In the region, everyone considers that peace is
only a truce and that one day the bombs will fall again. No question
for the time being of the disarmament of Hezbollah. Heading for Beirut,
in the more westernized neighborhoods, where strangely we almost come
to support Hezbollah which represents the only resistance force in the
face of the Israeli threat. Finally, a stop at Khiam, the former jail
which had been transformed into a museum, whose buildings - and symbols -
were razed by Israeli raids.
Violence begets violence. The war
to destroy Hezbollah has given rise to new resistance fighters. And
even in a still divided Lebanon, Israel already seems to have lost the
ideological battle.
AIEP PROVIDES RIGHT NOW
The
Independent Complaints Review Authority unanimously rejected the
complaint of a group of viewers against the report “Soha, return to the
country of Hezbollah” broadcast on October 26, 2006 in Temps Present.
Contrary to what the complainants asserted, the AIEP considered that the
public was perfectly capable, from this broadcast, of forming a
personal opinion on the subject covered and on the events which bloodied
the region in 2006.
Temps Present decided to devote a report to
Lebanon immediately after the conflict which opposed the Israeli army
mainly to the Lebanese Shiite movement "Hezbollah" in the summer of
2006. This war had highlighted the political and military importance of
Hezbollah's role in Lebanon. In the opinion of the producers of Temps
Present, there was great interest in making this movement better known
to the Swiss public. Hezbollah is a discreet formation whose approach
is difficult. Temps Present had therefore decided to follow in Lebanon a
well-known figure of resistance to the Israeli occupation, Soha
Bechara, who was to promote contacts with the Shiite movement. Thanks
to S.Bechara, Anne-Frédérique Widmann and Jean-Bernard Menoud were
actually able to meet several members of Hezbollah and describe the
functioning and influence of the “party of God” in southern Lebanon. In
its form, the report is an immersion in a conflict zone shortly after a
war and largely gives a voice to the inhabitants of this region
directly affected by the consequences of the clashes. This is not a
file claiming to address all aspects of the Near Eastern crisis.
Neutral observers such as representatives of the NGO Human Rights Watch
provide an independent point of view on the human rights violations
committed by all belligerents during this war.
The plaintiffs
challenged this approach. For them the report gives too positive an
image of Hezbollah and S. Bechara. He should have included other
speakers or documents that would broaden the subject. Without these
additional elements, the viewer could not form a personal opinion on the
subject.
The AIEP recalled the autonomy of the TSR in its
editorial choices, including the angles chosen to treat the subjects it
addresses in its reports. For the Authority, it is above all a question
of determining whether the viewer could have been manipulated and
knowingly misled by a broadcast. Regarding the complaint against “Soha,
return to the country of Hezbollah”, the members of the AIEP
unanimously concluded that this was not the case for two reasons.
Firstly, the approach developed by Temps Present as part of this report
was very clearly explained to viewers. Second, at the time this program
was broadcast, the public was already well informed on the subject
since all the media had extensively commented on the Lebanese conflict.
According to the AIEP, viewers were therefore able to place this report
in this general context and form an opinion.
Daniel Monnat
Editor-in-chief
from TSR magazines.
A report by Jean-Bernard Menoud and Anne-Frédérique Widmann
Image: Walther Hug Son: Ottorino Cavadini Montage: Chantal Dall Aglio
for information about the film:
https://arabwomen.eventive.org/films/624db2b0b5cc5f0036317ac9
https://www.facebook.com/share/v/Y6FAia3839j2tUdW/
With "Souha, Surviving Hell", Randa Chahal Sabbagh captures a multi-facetted Souha Bechara, navigating between the weight of her lived experience, her transformation into an icon of resistance, and the fragility of a body full of life and laughter. Watch the film for free on www.aflamuna.online - presented by Cinematheque Beirut
No Other Land, a review in the Guardian: [This] powerful Israel-Palestine documentary is essential viewing....A Palestinian-Israeli colle...